Corridos are one of the most flexible spaces for musical dialogue in capoeira. In this class we will explore why their structure (metric, phrasing) makes them ideal for improvisation. Participants will practice improvising new lines within existing corridos using simple strategies and will be able to develop their own improvisation tools.

The beginning of the roda ritual is a unique moment that sets the tone for the entire event. In Capoeira Regional, singing the Quadra and Louvações is both an honor and a challenge. Their non-obvious, chant-like intonation and rhythm make them difficult to learn, while their lyrical form adds another layer of complexity to interpretation and full understanding of what is being sung. Under the guidance of Professor Banana, you will overcome these challenges, getting one step closer to opening the roda within your group.

In this class we will go over technique to help you find more freedom in your Berimbau playing, which ultimately leads to you having more fun. Showing you how there are really no mistakes, just opportunities, if you can stay present. And discuss the structure of 2 types of variations, technically more full, and playing with space (more funky). funky).

Classes focus on a physical anchoring of rhythm (palmas, body percussion, polyrhythm), and the voice and body rhythm coordination.
We will practice breath control and body/vocal release (simple vocal technique and relaxation exercises, etc.), and we’ll apply it to the collective rhythmic and vocal arrangement.

Exploration of capoeira rhythms through instruments such as the berimbau, pandeiro, and songs. The class focuses on how instruments, singing, and rhythm connect, helping students develop musical communication and awareness.

In a capoeira bateria, each instrument speaks, listens, and leaves space for the others. This class focuses on listening, balance, and musical direction inside the group. Participants will explore dialogue between instruments, echoing variations, and shifting attention between players. We will also work on tempo modulation: how a bateria accelerates or slows down, and how musicians can react collectively to these changes. Special attention will be given to the role of the berimbau and atabaque in initiating, guiding, or stabilizing tempo shifts, as well as strategies for interacting musically during these moments.

Of all the samba subgenres (and there are many!), this one is most commonly heard in Brazilian homes. Originating in Rio de Janeiro, Samba Pagode (also known as Partido Alto, Samba Raiz, or Samba de Mesa) is the voice of the Brazilian people, expressed through instruments such as the cavaquinho, tantan, pandeiro, reco-reco, and tamborim. These classes offer an introduction to the rhythms, structure, and conventions that define this vibrant musical style.

Exercises to help you dominate the Berimbau and feel more comfortable so we can go into the dialogue between Berimbaus. Creating phrases and learning how to complement each other and not compete.

In this class we will go over managing the roda and being a roda’s leader: guiding the collective dynamic through music and singing, creating a direction for the playing, an energy - developing it, maintaining it, transforming it.

Class focused on traditional songs of resistance from Afro-Brazilian culture, with an introduction to Jongo. Students will explore the meanings and history behind the songs while learning basic rhythms and participation in collective singing.

An experience with traditional Jongo rhythms and drums, exploring their rhythm and dance. The class integrates rhythm, movement, and cultural expression, introducing students to the foundations of Jongo through music and body movement.

Mestre Bimba was undoubtedly one of the greatest berimbau virtuosos. It is impossible to match his level of mastery - but it is certainly worth trying! Professor Banana has prepared a rich set of knowledge, tips, exercises, and practical tools to help you better understand and master the rhythms, variations, and playing style of the distinctively resonant berimbau - an instrument especially favored by the King of Capoeira Regional.

Showing the relationship between music and dance, we will learn both sides. And also how it relates to Capoeira music.